The semiosis of light in music: From synaesthesias to narratives
Identifieur interne : 000987 ( Main/Exploration ); précédent : 000986; suivant : 000988The semiosis of light in music: From synaesthesias to narratives
Auteurs : Eero TarastiSource :
- Semiotica [ 0037-1998 ] ; 2001-11-06.
English descriptors
- Teeft :
- Acoustical area, Boris godunov, Certain color, Certain instrument, Chromatic harmonies, Claude debussy, Cogan, Color sound, Colored hearing, Colorfulness, Coloristic, Colour, Comme, Consecutive idea, Empty space, Enunciation, Etude, Existentielle erfahrung, Feux, Fluctuation sound, Fontanille, Fourth symphony, Good example, Helsinki, Human understanding, Indexical sign, Kaija saariaho, Light phenomena, Lisi guerra, Main protagonist, Main thing, Messiaen, Middle section, Music history, Musical aesthetics, Musical analysis, Musical representation, Musical semiotics, Nasal quality, Ninth symphony, Octave unisons, Olivier messiaen, Ondes martenot, Orchestral instruments, Orchestration, Organ point, Other hand, Other levels, Other words, Outer light, Overtone series, Pozzi escot, Presses universitaires, Previous case, Primary parameters, Proust, Punctual, Punctual light, Same time, Scriabin, Second movement, Secondary parameters, Semiosis, Semiotic, Semiotic square, Semiotic theory, Semiotics, Sensory sphere, Sensory spheres, Signal motif, Sonic design, Special color, Spectral composers, Spectral music, Static tone color, Structural sound, Style periods, Such cases, Synaesthesia, Tarasti, Tarasti figure, Temps perdu, Texture sound, Third movement, Timbre, Tonal characteristics, Tone color, Tone colors, Tone colour, Trumpet sound, Trumpet theme, Twentieth century, Uctuation, Uctuation sound, Various colors, Violin concerto, Visual keyboard, Visual light, Visual manifestations.
Url:
DOI: 10.1515/semi.2001.097
Affiliations:
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Le document en format XML
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